Born in Lauria (Potenza). Actor
Comedic talent at the service of young directors. Theatre debut: 1985 in Sussurri rapidi – directed by Salvatore di Mattia – and then, two years later, he starred in the show Aspettando Metrò, which he also wrote. His first movie appearance was in Senza pelle by Alessandro D'Alatri.
He then appeared in Con gli occhi chiusi by Francesca Archibugi, Laureati by Leonardo Pieraccioni, Ferie d'agosto by Paolo Virzì, Barbiere di Rio by Giovanni Veronesi and in the short film Senza parole by Antonello Di Leo, Oscar nomination in '97.
In '98 he is in the cast of Del perduto amore by
Michele Placido and Bomba by
Giulio Base. In television he worked alongside
Lino Banfi in
Vola Sciusciù by
Joseph Sargent and, also in '99, he played one of the lead roles in the TV series Giornalisti.
In the Fall of 2000 he was cast in the RaiUno miniseries
Tra Cielo e Terra.
FILMOGRAPHY
IL PARADISO ALL'IMPROVVISO
by Leonardo Pieraccioni.
Cast: Leonardo Pieraccioni, Rocco Papaleo, Alessandro Haber, Angie Cepeda, Anna Maria Barbera
Comedy, Italy 2003
VOLESSE IL CIELO
by Vincenzo Salemme.
Cast: Vincenzo Salemme, Maurizio Casagrande, Tosca D’Aquino, Biagio Izzo, Rocco Papaleo, Armando Pugliese, Biancamaria Lelli, Guja Jelo, Montella Vincenzo, Giulia Steigerwalt, Daniela Marazzita
Comedy, Italy 2002
IL TRASFORMISTA
by Luca Barbareschi.
Cast: Luca Barbareschi, Rocco Papaleo, Raffaele Pisu, Luis Molteni
Comedy, Italy 2002
L PRANZO
DELLA DOMENICA
by Carlo Vanzina.
Cast: Massimo Ghini, Barbara De Rossi, Elena Sofia Ricci, Rocco Papaleo, Maurizio Mattioli, Giovanna Ralli
Comedy, Italy 2002
VOGLIO STARE SOTTO AL LETTO
by Bruno Colella.
Cast: Mario Scaccia, Rocco Papaleo, Giorgio Pasotti, Michelle Hunziker
Comedy, Italy 1999
LA BOMBA
by Giulio Base.
Cast: Vittorio Gassman, Shelley Winters, Alessandro Gassman, Rocco Papaleo, Lola Pagnani, Enrico Brignano
Comedy, Italy 1999
VIOLA BACIA TUTTI
by Giovanni Veronesi.
Cast: Valerio Mastandrea, Asia Argento, Rocco Papaleo, Massimo Ceccherini
Comedy, Italy 1998
DEL PERDUTO AMORE
by Michele Placido.
Cast: Michele Placido, Fabrizio Bentivoglio, Sergio Rubini, Enrico Lo Verso, Rocco Papaleo, Giovanna Mezzogiorno
Drama, Italy 1998
IL BARBIERE DI RIO
by Giovanni Veronesi.
Cast: Diego Abatantuono, Rocco Papaleo, Zuleika Dos Santos, Irene Grandi
Comedy, Italy 1996
CRESCERANNO I CARCIOFI A MIMONGO
by Fulvio Ottaviano.
Cast: Valerio Mastandrea, Rocco Papaleo, Daniele Liotti, Francesca Schiavo
Comedy, Italy 1996
I LAUREATI
by Leonardo Pieraccioni.
Cast: Rocco Papaleo, Maria Grazia Cucinotta, Leonardo Pieraccioni, Gianmarco Tognazzi
Comedy, Italy 1995
The atmosphere is reminiscent of America in the 30s but then, in a curious time warp between a shot of whiskey on the rocks and another whiskey in a coffee mug, you realize that either you have had too much coffee to drink or the musicians look like the ragged band of strays of the “Aristocats” now living in the Coliseum. And you start to notice that the singer has an accent that is clearly not New Orleans or Chicago, but reveals instead a distinct and strong Lucanian inflection and you also realize that the singer himself could be a movie actor who sings the Hymn of Basilicata and tells his own stories in music and perhaps everybody else's stories.
Stories where you breathe an essential and sarcastic Southern Italy atmosphere, stories of a muggy heartland that is not a definite place but it's the entire heartland, that part of Italy that has always been satisfied with little, but at the end they have never really cared that much. Stories about love that, as in every romance, begins, ends, moves away or even doesn't happen at all and stories where nothing is to be taken for granted. But the finest note of all is struck by the songs, these songs that are for laughs but at the same time also so hyper-real and dangerously close to melancholy that it takes only a slight twist and they can just as well make you cry. Really cry your eyes out.
Rocco has been writing these stories all his life and now he tells them, he adds rhythm and sings them accompanied by his quintet. You can get bored too, even if you change faces and characters more often than most people are allowed to do during their ordinary lives. Rocco doesn't really like to be always “the same” and it shows …….
It is better to change every now and then, better to open a window or tune a guitar, play three chords and let the feeling out, tell a story and tell a story about one's self, this time with fewer words and more notes.
Rocco has been feeling this urge for years and in fact every now and then he gives in to it and in those moments you can see him holding a beautiful song between his lips instead of a movie script.
The bottom line is that at the end a story is just a story and, if it is a beautiful story, it always deserves to be told because a beautiful story always touches the heart.